Tuesday, November 11, 2008

Anthem for Doomed Youth

" What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles' rapid rattle Can patter out their hasty orisons. No mockeries for them; no prayers nor bells, Nor any voice of mourning save the choirs, -- The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds. "

Anthem for Doomed Youth, Wilfred Owen


Probably the best known of the poets of the Great War, Owen was treated for shell shock at Craiglockhart, just a few moments from where I live in Edinburgh, where he met fellow poet Siegfried Sassoon (events fictionalised in Pat Barker's novel Regeneration and the film adaptation of the book). Owen was killed on November 4th, 1918, just a week before the Armistice. He was 25 years old; much of his poetry was published posthumously.


(the eternal flame and the tomb of the unknown soldier under the Arc de Triomphe; the legend reads "ici repose un soldat Francais, mort pour la patrie, 1914-1918. It stands in stark contrast to the more bombastic militarism of the Arc de Triomphe above it and the triumphant, processional way of the Champs Elyssee in front of it; the larger version is on my Flickr)

1 comment:

  1. I read Regeneration fairly recently on a friend's recommendation and I must admit I was underwhelmed by it. Bought and read a book of Owen's poetry a while back (it ain't big); what was striking about it was that most of the poems which aren't well known didn't have that much of an effect on me, but the ones which everyone knows, or has heard, lose absolutely nothing in repetition. They are astonishingly complete, perfectly marrying idea, sound and structure: you can't imagine them being any different, as if they'd emerged fully-formed from Owen's mind - although as a passage in Regeneration makes clear, some of them were reworked with assistance from Sassoon.

    Did you know that it was Kipling who proposed using "Their Name Liveth For Ever More" on the memorials?

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