The travelling of books
Can it really only be a centuries since Gutenberg gave the world it’s most incredible and enduring invention, print? How swiftly books, that literary fire that the Prometheus of Print gave to us, came to be entrenched in our civilisation. For all our talk of the decline in public libraries and the quality of literature in our bookstores (or perhaps book department stores would be more appropriate for some) the book still holds a pre-eminent place in our cognitive landscape. We use them every day, be it for study, work, knowledge or simple pleasure (I count myself profoundly lucky my job means that all of these categories often apply to me). Even the least bibliophile among us often still respect the written word; it has authority, it has a form of permanence; we read the new but always we refer back to what came before, knowledge and ideas bound within pages as a sorcerer would bind a spirit, freed by the magical application of reading.
Moveable type freed ideas and opened mass channels of communication in a way humanity had never know. Increased literacy and availability of books coincided (no accident) with a flowering of new knowledge and greater understanding of the old. Most important was that books allowed information to travel; a reader in a Parisian Salon could debate the works of Hume in
Wandering around some of the second hand and charity shops in
Inside the cover there was a bookplate – it had been an award to a school child, long ago. “Gloucester Education Committee,
A few years ago I found a small stack of books hidden away in my parent’s home, which surprised me since I thought I knew all of the books there (most of them being mine after all!). Quite a few of them turned out, like Gulliver’s Travels, to be school prizes given to family members. Several dated from the early 1900s and bore the bookplate inscribed to James
Real or not, I’ve always felt a connection to him; I have his gorgeous, solid gold pocket watch still, which bears both of our initials. I only wear it on very special occasions as the mechanism is too delicate to bear daily winding now, but it always makes me feel like he’s with me when I do. Some of his old medals are still there too; he was a gifted first-aider and medals comemerated his work, especially driving ambulances during the war (he was on duty in Clydebank the night the Luftwaffe came for the great shipyards of
Another books bore an inscription from a young girl to an uncle I never even knew, signed and dated in the early 1900s in a sanatorium near
And that is one of the most remarkable things about good books, the way they endure and pass through time; its one of those wonderful extras that old books bear and new books may gather as they age, moving from reader to reader through the years. It makes me wonder who may be reading some of my favourite books from my shelves decades from now and what they will think of them. Will they enjoy them as I did? Will they wonder at who read them before they had them, what they were like, what they did? At the bookstore in the Book Festival recently I picked up some small pamphlets of Scottish poetry, including one by one of my favourite modern Scots poets, Tessa Ranford, who understood all of this and expressed it perfectly in “The Book Rediscovered in the Future”:
One day in the future
A child may come across a book
And say: “Imagine being able to hold
In your hand what you read,
To carry it with you and wear it out
With your life; to pass it on
Bearing your marks, your name,
Written in ink, your signature:
Your wavelength in letters.
Good post. Without wishing to be morbid, assuming that you have their names, if you want to know more about the anonymous young uncle and the girl, you could always go along to register house and look for their death certificates.
ReplyDeleteI think they charge for a half day/day's entry but it may be worth it if you have a few 'names' to look up. It is relatively easy then to cross refer to birth certificates and census records.
Reminds me of a poem by Thomas Hardy:
ReplyDeleteOLD FURNITURE
I know not how it may be with others
Who sit amid relics of householdry
That date from the days of their mothers' mothers,
But well I know how it is with me
Continually.
I see the hands of the generations
That owned each shiny familiar thing
In play on its knobs and indentations,
And with its ancient fashioning
Still dallying:
Hands behind hands, growing paler and paler,
As in a mirror a candle-flame
Shows images of itself, each frailer
As it recedes, though the eye may frame
Its shape the same.
On the clock's dull dial a foggy finger,
Moving to set the minutes right
With tentative touches that lift and linger
In the wont of a moth on a summer night,
Creeps to my sight.
On this old viol, too, fingers are dancing
-- As whilom
-- just over the strings by the nut,
The tip of a bow receding, advancing
In airy quivers, as if it would cut
The plaintive gut.
And I see a face by that box for tinder,
Glowing forth in fits from the dark,
And fading again, as the linten cinder
Kindles to red at the flinty spark,
Or goes out stark.
Well, well.
It is best to be up and doing,
The world has no use for one to-day
Who eyes things thus -- no aim pursuing!
He should not continue in this stay,
But sink away.