Yes, I could avoid that altogether by shooting in colour then greyscaling in Photoshop afterwards, but I think that's never as good as shooting in B&W to begin with. I'm not sure if that's just a subjective opinion because if I greyscale a colour pic I'll always know it started out colour, but anyway, if I want B&W then I'll shoot that way rather than change it on the computer later (besides I do very little modification of my pics, I'm a Gonzo photographer, I take pics of things I see and try to reproduce what caught my attention, not spend 6 hours filtering and altering it in Photoshop, not that I have anything against that, but its just not what I normally do, I like to keep my pics fairly honest as photographs and not overly manipulate them other than tweak contrast or cropping, things I'd do back in my dark room days at college).
So the upshot was I took several pics before I realised I was in B&W mode then looked at the images on the camera's screen and thought, you know what, I think this scene looks cooler in B&W, so I kept it that way. And ended up doing a bunch more B&W as well, not done much monochrome since my college years when I did my own prints (back in the days of actual film with my ancient but highly serviceable Praktica) and I suddenly found myself thinking, why haven't I done more B&W in the digital years? I used to love the way monochrome can bring a different light to some subjects and yet here I was doing hundreds of photos a year onto my Flickr and hardly any in B&W, like I had forgotten about it. I think I just revived my taste for it...
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