Monday, August 6, 2007

A Gentlemen's Duel

I came across this animation via Boing Boing today and thought it was terrific as a comedy French and English duo compete for the favours of a rather busty noblewoman (the men can't keep their eyes from her chest) which ends in a duel - at which point they climb into wonderful steampunk battle suits which look as if they should have come from a crate marked 'acme'. The creators have clearly watched a lot of classic cartoons...

Simpsons

Since we were going to see the Simpsons movie on Saturday I thought I'd swing by and get the tickets in the afternoon in case it was busy later, although in the event the auditorium was half full. I think I got the ticket clerk who is either the stupidest or, being kind, perhaps just having one of those days. I tell her I want the 8.45 showing and she says, right, 4.15. No, 8.45, please. She looks a bit confused and then goes, oh, okay (not sure where she got 4.15 from at all, but hey); I tell her I need two tickets, putting one on my cinema pass card, paying for the other on my debit card, handing her both as I do. She takes them and looks at them like she has never seen a plastic card before (bear in mind this cinema has its own card which I use regularly).

I have to explain to her again that I want two tickets for that performance and am paying for one, the other is on my own pass, again waving the cards in front of her so it is pretty obvious visually if she can't grasp spoken words. She takes them slowly, looks at them uncertainly then picks at her keyboard. So, that would be one ticket and one other ticket - so you really want two tickets? Er, yes, one and one would be two, which is what I've asked you for several times now... She did finally get there, although she forgot to ask me which seats we wanted. Jeez, we all have off days, but this girl was slower than a tortoise on Prozac.

And was it worth it after that? Well, no. My friend pointed out one of the biggest problems with the Simpsons movie is that it isn't really a movie. As with the X-Files movie it is really just a longer than usual episode with a bigger budget, which doesn't carry a movie. And as with the X-Files movie I have a general dislike of TV shows making a movie version while the series is still running. After the end of the run, as with Firefely or Star Trek, sure, but generally doing a movie when the show is still continuing seems to be to be just a flagrant cash cow. South Park is an exception here as it offered something unusual and different from the series as well as providing a story that worked as a movie. The Simpsons didn't. Don't get me wrong, parts of it are funny, there are some scenes that made me laugh, but it doesn't hold together and overall seemed weak and somewhat futile.

Mind you, I've not thought much of the TV episodes either in recent years. I really loved the Simpsons for many years, but the last two or three seasons have been poor; as with the movie they have some scenes which are brilliant but I can't recall an entire episode which worked for me in the last few seasons, only some scenes, but never an entire episode; magnify that problem by the length of the movie and you have a very poor offering which dilutes the genius of the earlier show. Heresy perhaps to suggest the Simps is past its sell-by date, but it hasn't worked for me for a while now and the announcement that there would be several seasons more after the weak movie depresses me because it tarnishes the reputation it had during its high water mark. As with the X-Files, good shows need to know when and how to bow out, not just keep milking a tired series for money and so ruining the memories of the earlier, better years (of which there were many). Meantime they are talking about another X-Files movie...

Sunday, August 5, 2007

Fire

Friday morning's ride to work was a pain; after being stuck in log-jammed traffic for a good while the bus finally inched towards the West End where we discovered there was a major fire on Princes Street, which had closed the whole thing down, forcing the buses to divert. Since so many go along Princes Street this made a real mess of city traffic and I ended up having to get out well away from work and walking the rest of the way. At least it was a nice morning for a change and not pouring down as usual. As I walked through the Meadows, trying to to be too distracted by a large-chested woman jogging past (the bounce was like the gas suspension on those old Citroens), I noticed some unusual marketing for a Fringe show - instead of flyers they had put chalk outlines of bodies, like a crime scene, on the paths with the show name and venue written inside.

Only partially successful as marketing though - I thought they were cool and passed several (if I hadn't been on a hurry to get to work before it was even later I'd have stopped for a pic, they've probably washed away in the rain now) but all I could recall of them ten minutes later was the cool chalk body outline, not the name of the show or venue. As one friend commented, it was a bit like the cool TV ad from a couple of years back where various components of a car all worked in pieces to make the next piece work - great visual ad, but neither of us can ever recall what make of car it was promoting (and didn't really care anyway).

I glimpsed smoke from the burning building as the bus turned up onto a diversion and could also see the tall ladder platform - it had a lot of firefighters there and was fairly major. It turned out to be Romanes and Paterson, a shop dealing in kilts and all sorts of Scottish material. Princes Street on the south side is a view to the Castle and Old Town, but the shop side is a real dog's breakfast of buildings, with a number of fine, old buildings and some truly hideous monstrosities that were allowed to be built there in the 60s and 70s (not architecture's finest eras) which utterly ruin that side of a major, historic street. And of course it was an old building from 1878 (which is actually new by Edinburgh standards, really) that caught light and not one of the brutally ugly 60s horrors which would be better suited to a shopping block in Murmansk. Couldn't the gods of architecture and fire have gotten together on this one?
Norah

Rewatching the Indy movie Brick, which has the beautiful Norah Zehetner in it (who also crops up in the first season of Heroes). Is it just me or with her gorgeous, elfin face does she have a kind of Audrey Hepburn meets Winona Ryder via Shannyn Sossaman quality about her?

Thursday, August 2, 2007

Binari - Korean musicians at the Edinburgh Fringe

The Korean musicians I was talking about earlier, Binari, setting up for the Edinburgh Fringe as the Festival circus hits town. This is in Edinburgh University's historic Old College building quadrangle.

Fringe time

Its Edinburgh, its August, its time for the first stirrings of the world's largest arts festival. The Fringe starts officially over the weekend, but already most shows are in town and running their (much cheaper tickets) previews. The husband and son of Mel's cousin are over from Norway and I met them all straight from work at the Pleasance, one of the main spots for Fringe life. Mel and I introduced the Fringe newbies to our laid back way of doing it, which is to park out bums on a seat in the cobbled courtyard of the Pleasance (a hub with dozens of shows going on all the time, from tiny rooms to proper theatre sized shows) and wait for the many people coming round giving out flyers and telling folks about shows until we saw one we liked and off we went to see Son of a Preacher man, a stand-up comedy with Markus Birdman, an aetheist son of a clergyman - it was brilliant and I highly recommend it if you're going Fringeing.



Afterwards we headed back down to the Royal Mile to get some food at Wannaburger and as we approached the Old College Building we heard a powerful beat and decided to have a quick look. We found Binari, a Korean musical group pounding drums in the old quadrangle, the sounds echoing around the space as they performed a sound check, that wonderful, almost frantic and kinetic drumming and singing. And its just so cool that walking past somewhere you just come across something like this, but that's what happens in Edinburgh at this time of year. Its a circus, its maddening, busy and crazy and at the same time brilliant.



Last time I was in this building was for the launch of a major Scottish history book in the gorgeous Neo-Classical space of the Playfair Library, this time it is Korean musicians in the quad filling the night with music. After we'd had a late meal we walked up the Royal Mile, even near 11pm still buzzing with people as the Fringe starts up then as we approached the top of the Mile we had another treat.



A rehearsal for the Royal Military Tattoo was finishing up at the Castle and the cavalry were leading their horses down towards the horse boxes to take them home. Imagine a warm summer night in the middle of the Old Town, lights from the Tattoo flickering across the Castle and bagpipes playing while the clip-clop, clip-clop of horse's hooves come down from the Castle, creak of leather and clink of metal as cavalry troops lead their immaculately groomed animals down the cobbled street then round past the hub to the waiting transports. Even in Edinburgh this isn't exactly an everyday sight.



How beautiful is this horse? Just think, this is all happening in the heart of a capital city at 11pm, with a huge castle right behind me as I took this while behind the horse you can see the floodlit Herriot's School which at night looks like where very young wizards get sent before they are old enough to go to Hogwarts.



Even at that time of night you can see the sky just doesn't get fully dark at this time of year. Shame I didn't have the tripod to take these properly but obviously I wasn't quite expecting this. A little bit on unexpected magic.

Wednesday, August 1, 2007

AP

The BBC has a short but excellent slideshow with audio celebrating the work of AP, Associated Press's photographers, focusing on those who have recorded combat areas. There are some remarkable shots on offer and no less than two Pulitzer Prize-winning photojournalists sharing their insights. Even in a time of 24 hour rolling satellite news the power of a well composed single image like these is quite amazingly powerful, a single moment of time, frozen, captured; our brains see more detail, create meaning around the still image in a way that we simply don't with video news footage.